top of page



“Reflections on Study Abroad: the Paris Studio.” PLATFORM: Teaching for Next (2022-23): 34-39. WEB


“An exhibition of Claude Parent’s drawings offers a close look at his angular architectures.” The Architect's Newspaper (July/August 2022). WEB


“Oblique/Interior.” In Appropriate(d) Interiors, edited by Deborah Schneiderman, Anca I. Lasc and Karin Tehve, 114-130. London: Routledge, 2022.


“Foreword.” In Digital Fabrication in Interior Design, edited by Jonathon Anderson and Lois Weinthal, xv-xviii. London: Routledge, 2022. 


“Conversation with Claudia Wieser.” In Claudia Wieser: Generations, edited by Rachel Adams and Jennifer Carty, 143-148. Chicago: University of Chicago Press, 2021. 


“Slashed Interiors: Text/Space.” Interiority, no. 3 (2020): 5-20. WEB   PDF

“Body.” In Poetics + Pragmatics: A Design Studio Companion, edited by Smilja Milovanovic-Bertram and Joyce Rosner, 83-87. Dubusque: Kendall Hunt Publishing, 2019. 

“eScape.” L.A. Forum for Architecture and Urban Design: Re: Learning, Summer 2018. PDF

“Dioramas.” Interiors: Design/Architecture/Culture 8, no. 3 (2017): 169-178. PDF


“Scye: Material Form Technique.” In 2015 TxA Emerging Design + Technology Conference Proceedings, 81-87. Austin: Texas Society of Architects, 2017. PDF

“Oblique Interior.” Interiors: Design/Architecture/Culture 8, no. 1-2 (2017): 8-15. PDF

“Edible.” International Journal of Interior Architecture and Spatial Design 4 (2016): 176-183. PDF

“Reporting from the 15th Venice Biennale of Architecture.” Texas Architect (September/October 2016): 11-16. WEB

“Topically Embedded: Surface as Graphic Material.” In Textile Technology and Design: From Interior Space to Outer Space, edited by Deborah Schneiderman and Alexa Griffith Winton, 73-84. London: Bloomsbury Academic Publishing, 2016. PDF

“Edible Materials Lab.” In Cross-Americas Probing Disglobal Networks: 2016 Association of Collegiate Schools of Architecture International Conference Proceedings, edited by Alfredo Andia, Dana Cupkova, Macarena Cortes, Umberto Bonomo and Vera Parlac, 234-239. Washington, DC: ACSA Press, 2016. PDF


“The Art in Architecture.” Texas Architect (September/October 2015): 15–19. PDF


“Scye.” In Keha Ehitus (Body Building): Tallinn Architecture Biennale Main Exhibition, 63-71. Tallinn: Estonian Centre for Architecture, 2015. PDF

“Where’s the Architecture?” Texas Architect (September/October 2014): 33–36.


“Millefleur: Floral Geometries and Participatory Application.” International Journal of Interior Architecture and Spatial Design 3 (2014): 108-115. PDF

“Digital Representation and Fabrication.” In The Handbook of Interior Architecture and Design, edited by Graeme Brooker and Lois Weinthal, 454–467. London: Bloomsbury Academic Publishing, 2013. PDF

“Architectural Migrations: Drawing between Outside and Inside.” In Seher Shah: Constructed Landscapes (exhibition pamphlet). Austin: Austin Museum of Art–Arthouse, 2013. PDF

 “Bayou-luminescence.” In ACSA 101: New Constellations New Ecologies, edited by Ila Berman and Edward Mitchell, 52–53. Washington, DC: ACSA Press, 2013. Co-authored with Matt Hutchinson. 

“Tessellated Surface: from Relentless Patterning to Extreme Materiality.” In Surface: Digital Materiality and the New Relation between Depth and Surface (European Association of Architectural Educators Transactions on Architectural Education #48), edited by Nikolas Patsavos and Yannis Zavoleas, 255–262. Athens: Futura Press, 2013.


“TransWC: Bathrooms, Identities and Mass Customization.” International Journal of Interior Architecture and Spatial Design 1 (2013): 194–200. PDF

“Tessellated Floorscape (2010– ): interior acts of production, siting, and participation.” IDEA Journal: Interior Ecologies 10 (2010): 45–53. PDF

“Surface Fatigue.” In Soft Shells: Porous and Deployable Architectural Screens, edited by Sophia Vyzoviti, 101–110. Amsterdam: BIS Publishers, 2011. PDF

“Soft Fabric(ation)s.” In Where Do You Stand: 99th Association of Collegiate Schools of Architecture Annual Meeting Proceedings, edited by Alberto Perez Gomez, Anne Cormier and Annie Pedret, 702–707. Washington, DC: ACSA Press, 2011.

bottom of page